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This project draws from both the social and physical landscapes of the Maillardville neighbourhood to address the political and cultural forces shaping it, such as its French Canadian history and its industrial past. Version Sub Rip notably investigates the role of language as a delineating boundary both within the physical world and in psychological space. Through […]
LOW&HIGH Folkestone, UK MICRO-RESIDENCY 3: Erica Scourti and Sydney Hart June 2011 More information on the LOW&HIGH website: MICRO-RESIDENCY 3: Sydney Hart and Erica Scourti – Vacant Value/ Report The week long joint micro-residency addresses Utopias of a ‘return to nature’ (inspired by anarcho-primitivist and Rousseauist discourses), culture as a tool of administration and development, idealised […]
The Crying Room 157 East Cordova Street, Vancouver BC, V6A 1K7 November 2014 Untitled (Plural Anterior) is composed of a collection of prints each with reproduced, hand-drawn marks. These marks were found in various stores selling pens and pencils in Vancouver, and were made on shelves, cases, and store infrastructure illicitly, typically by visitors testing […]
Some Illuminations takes advantage in its content and aesthetic of the simplest devices of theatricality and artifice. Inspired by the passing shadows described in Plato’s Simile of the Cave, a hand shadow character tries to come to terms with its own illusory nature.
Post at Turning Mackintosh-Corry Hall, Queen’s University at Kingston March-April 2017 Curated by Q4F In an article from 1973 in The Queen’s Journal, a few months before the opening of Mackintosh-Corry Hall, a head of the user’s committee stated that a central theme for the design of the complex was to facilitate “vertical and lateral […]
In 1997 the French navy ceased using morse code. The last message in this dying language was the following, emitted over the Altlantic: “Calling all. This is our last cry before our eternal silence.” Using a painting by the Italian futurist Umberto Boccioni, this ultimate morse code message was translated into a moving image form […]